Waxahatchee

Emerge Impact + Music presents ...

Waxahatchee

Lauren Ruth Ward, Jonathan Terrell, Brendan Scholz

Fri, April 6, 2018

Doors: 9:00 pm / Show: 9:00 pm (event ends at 11:45 pm)

Las Vegas, NV

This event is 21 and over

Waxahatchee - (Set time: 11:00 PM)
Waxahatchee
Out in the Storm -- Katie Crutchfield's fourth album as Waxahatchee and her second release with Merge -- is the blazing result of a woman reawakened. Her most autobiographical and honest album to date, Out in the Storm is a self-reflective anchor in the story of both her songwriting and her life. As Crutchfield prepared for the release of her Merge debut Ivy Tripp, she found herself depleted emotionally and professionally amidst the dissolution of a noxious relationship. “Ivy Tripp doesn’t really have any resolution. It’s a lot of beating around the bush, and superficially trying to see my life clearly, but just barely scratching the surface. Out in the Storm digs into what I was going through without blinking. It’s a very honest record about a time in which I was not honest with myself.”

The album was tracked at Miner Street Recordings in Philadelphia with John Agnello, a producer, recording engineer, and mixer known for working with some of the most iconic musicians of the last 25 years, including Dinosaur Jr. and Sonic Youth. Agnello and Crutchfield worked together for most of December 2016, along with the band: sister Allison Crutchfield on keyboards and percussion, Katherine Simonetti on bass, and Ashley Arnwine on drums; Katie Harkin, touring guitarist with Sleater-Kinney, also contributed lead guitar. At Agnello’s suggestion, the group recorded most of the music live to enhance their unity in a way that gives the album a fuller sound compared to past releases, resulting in one of Waxahatchee’s most guitar-driven releases to date.
Lauren Ruth Ward - (Set time: 10:40 PM)
Lauren Ruth Ward
I fucking nail second chances ... says Lauren Ruth Ward, benignly reflecting on the time she got expelled from high school in her junior year. With aged wisdom beyond her years, she reminisces about her hometown of Baltimore, where her upbringing was what the songstress lovingly refers to as a “cocktail for being an artist;” She grew up splitting her time between a bohemian mother — “I’m very pragmatic, and she would call that cold and intense” — and some weekends with her father — “He’s a ‘healthy republican,’” she says with a laugh. From a young age, she also had a natural drive for creativity, with the talent to back it. “I was wearing a beehive every day in sophomore year,” she says, describing how she’s always had a knack for doing hair. “Junior, senior year, ‘scene’ was really in and I was like a ‘scene’ queen. I had a splash of blonde over here, splash of blonde over there.”

Meanwhile, Ward also taught herself to sew clothes, as well as sing and play guitar, taking cues from the music of her childhood — ‘70s rock and her mom’s old disco compilations — and the music of her teens: Mirah, Elliott Smith, basically anything “emotional, folky and dismal,” she says. (If you’re curious, that combination lands Ward somewhere between Janis Joplin and Courtney Barnett.)

When graduation rolled around and it came time to pick a career, Ward took on hairstyling. By 22 she had a fully booked calendar with cancellation backups at the salon where she worked and was running her own wedding updo business. She was ambitious, successful, and doing work she loved, yet something was missing. “I saw the music then, but I was behind a chair six days a week,” says Ward about coming to terms with pursuing another career. “To be honest, I wanted a band,” she continues, “every time I found someone to play with, they had a day job — they didn’t have the dream. And you really gotta fuckin’ have it to live in a world that’s musical.”

So in 2015, Ward packed up her life and road tripped to her new home of Los Angeles. After a challenging, perfectionistic pursuit, Ward came together with a band: Liv Slingerland (bass), India Pascucci (drums) and guitarist and fellow songwriter Eduardo Rivera. “They all call me ‘Mom,’” she says with a laugh. “It’s like getting three new best friends that you’re giving the most personal part of yourself.” They’ve even got matching jackets.

Together, they created Ward’s debut album, Well, Hell, a nine track sampler of what she calls the band’s “four modes.” There’s the “heaven of the album,” “Did I Offend You?,” a sweet, airy, swiftly cadenced track which crescendos into a powerful chant: “You’re only breaking down/ you’re only breaking down/ you’re only breaking down.” Then there’s the “hell,” “Blue Collar Sex Kitten,” a full-throttle rock song that dives head first into distorted chords, sexuality — “I’m a dyke/ dated guys/ ain’t a crime/ won’t apologize for my tribe,” sings Ward — and a psychedelic breakdown that sounds like lucid dreaming. There’s the band’s acoustic mode, made up by breathy tracks like “Travel Man,” and finally Ward’s poppier side, heard on “Sideways” — a funky, retro take on soul-searching and feeling lost — and “Sheet Stains,” a bluesy ode to her fianceé, indie pop mega-star LP, who sings backup vocals on the track.

The band’s chameleonic moods are punctuated by Ward’s playfulness with her bandmates on stage, dancing with audience and her signature white dotted eyes. Ward’s music has even gained her a dedicated international fanbase — in fact, three fans flew from France to be at the Well, Hell record release show in Los Angeles.

In some ways, Well, Hell is Ward’s second chance at a career doing what she loves most: creating. “I could totally have done a version of this in Baltimore, but not the way I’ve done it here,” Ward says of making music in Los Angeles. In others, Ward hasn’t changed a bit — you can still catch her doing hair, though now it’s under a batch of clementine trees at her house. “I had four clients at my house today,” she says with a laugh as she preps for a show. “I just picked the hair out from underneath my nails.” Either way, one thing’s for sure: there’s no telling what’s in store for Ward and company. “This is definitely a different life for me,” she says. “This is Lauren 2.0.”
Jonathan Terrell - (Set time: 10:20 PM)
Jonathan Terrell
Jonathan Terrell is a new breed of country, pulling inspiration from dreamscapes and in depth stories from the gorgeous and gritty corners of Americana.

Proud to call Austin home for over 10 years, Jonathan is a well-respected songwriter of deeply moving and resonant country-folk music explorations, He’s shared the stage with country legends such as Willie Nelson and Merle Haggard but has never fully rested on traditional country music.

He received international praise for his 2008 full length solo debut, “Trials and Stimulations”, and began work on his next record until shelving the project in 2011 to front and tour with the rock'n'roll band, Not In The Face.

Terrell returned to his second album of songs and shaped them into an enchanting collection of yearning and bravado, heartbreak and redemption. He released the Americana gem, “Past the Lights of Town” four years later, in 2015 on Candy Bang Records.

In Fall 2015, he followed the release of “Past the Lights of Town” with residencies in NYC, DC, Philadelphia, a UK tour and a sold out French Tour. Jonathan is currently touring in the U.S. and the UK for his latest release “Color Me Lucky” EP.
Brendan Scholz - (Set time: 10:00 PM)
Brendan Scholz
Brendan from Mercy Music
Venue Information:
Bunkhouse
124 South 11th Street
Las Vegas, NV, 89101